{"id":58,"date":"2021-04-12T18:23:53","date_gmt":"2021-04-13T01:23:53","guid":{"rendered":"https:\/\/www.guitareo.com\/blog\/?p=58"},"modified":"2021-08-26T10:17:06","modified_gmt":"2021-08-26T17:17:06","slug":"ayla-tesler-mabe-vibrato-philosophy","status":"publish","type":"post","link":"https:\/\/www.guitareo.com\/riff\/ayla-tesler-mabe-vibrato-philosophy\/","title":{"rendered":"Ayla Tesler-Mabe &#8211; Vibrato Philosophy"},"content":{"rendered":"\n<p>In this guitar lesson, we\u2019re joined by Ayla Tesler-Mabe from the band Calpurnia to talk about vibrato. Vibrato is an important part of defining your voice on the guitar, and it\u2019s one of the key ways we identify the differences between our favorite players.<br><br>When you start out developing your vibrato, it\u2019s a good idea to begin by emulating some of your favorite players. This is especially helpful when you\u2019re working on covering their material. As you do this more, you\u2019ll notice your own brand of vibrato forming.<br><br>Vibrato is such an important tool for expression, and there\u2019s no right or wrong answer. Don\u2019t overthink it. Focus on letting it develop naturally and let it become something you don\u2019t have to think too much about.<br><br><strong>About Ayla:<\/strong><br>Ayla Tesler-Mabe is a 17-year old guitarist from Vancouver, Canada. She and her band Calpurnia have performed with the likes of Weird Al Yankovic and Tenacious D. Calpurnia also recently performed their single \u2018City Boy\u201d on Jimmy Kimmel Live.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this guitar lesson, we\u2019re joined by Ayla Tesler-Mabe from the band Calpurnia to talk about vibrato. Vibrato is an important part of defining your voice on the guitar, and it\u2019s one of the key ways we identify the differences between our favorite players. When you start out developing your vibrato, it\u2019s a good idea [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":416,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/58"}],"collection":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":1,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/58\/revisions"}],"predecessor-version":[{"id":65,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/58\/revisions\/65"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/media\/416"}],"wp:attachment":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/media?parent=58"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/categories?post=58"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/tags?post=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}