{"id":1752,"date":"2022-05-06T06:00:00","date_gmt":"2022-05-06T13:00:00","guid":{"rendered":"https:\/\/www.guitareo.com\/riff\/?p=1752"},"modified":"2022-05-06T13:24:46","modified_gmt":"2022-05-06T20:24:46","slug":"clean-up-your-sweep-picking","status":"publish","type":"post","link":"https:\/\/www.guitareo.com\/riff\/clean-up-your-sweep-picking\/","title":{"rendered":"Clean Up Your Sweep Picking with Dean Lamb"},"content":{"rendered":"\n<p>(<a href=\"https:\/\/pianote-blog.s3.us-east-2.amazonaws.com\/wp-content\/uploads\/2022\/05\/06132420\/qt-clean-up-your-sweep-picking-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Download the tabs here<\/a>)<\/p>\n\n\n\n<p>If there was a contest for the most impressive guitar technique, sweep picking would probably come out on top. Unlike legato, it\u2019s a skill that allows you to play arpeggios and scales blazingly fast while keeping enough articulation to clearly hear every note. Thankfully, this technique is pretty easy to get started with and Guitareo Coach Dean Lamb is here to set you off on the right path!<\/p>\n\n\n\n<p>Many shred guitar lessons will have you learning how to sweep with small 3-string arpeggios. The problem here is that it doesn\u2019t really get your picking hand used to the full chord shapes you\u2019ll want to use down the line. We\u2019ll be using 5-string shapes in this metal guitar lesson for that very reason. The technique itself utilizes a mostly-locked wrist while you use your arm to move the pick back and forth over the strings.&nbsp;<\/p>\n\n\n\n<p>Muting is essential when you\u2019re learning how to sweep pick on the guitar. So when you ascend the strings you\u2019ll use your picking hand to mute and when you descend you\u2019ll mute with your fretting hand. Getting all these little things to work in tandem is key for clean sweeping technique.<\/p>\n\n\n\n<p><strong>Sweep Picking Arpeggios<\/strong><br>The first shape we\u2019ll be learning is based on your standard A minor chord shape. Simply move the shape all the way up the fretboard and add a few extra notes and you\u2019ll have the arpeggio. Once you ascend to the top of the arpeggio, it\u2019s important that you double pick the highest string to give the sweep more impact. You\u2019ll also want to work on something called pick planting, which is pushing your pick through the string and resting it on the next one. This little tip will help break you out of your standard alternate picking technique and make your sweeps faster and more fluid.<\/p>\n\n\n\n<p>The other arpeggio shape we\u2019ll look at is based on an A major chord. Use all the same techniques and principles from the first shape and it shouldn\u2019t be too challenging. The great thing about sweeping is that you can take literally any chord you know and create an arpeggio that you can sweep pick. If you want to learn more about these moveable chord shapes, check out <a href=\"https:\/\/www.guitareo.com\/riff\/guide-to-the-caged-system\/\" target=\"_blank\" rel=\"noreferrer noopener\">our guide on the CAGED method<\/a>.<\/p>\n\n\n\n<p>Check out Dean Lamb\u2019s full shredding course inside the Guitareo members\u2019 area with <a href=\"https:\/\/guitareo.com\/trial\" target=\"_blank\" rel=\"noreferrer noopener\">your 7-day free trial<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Download the tabs here) If there was a contest for the most impressive guitar technique, sweep picking would probably come out on top. Unlike legato, it\u2019s a skill that allows you to play arpeggios and scales blazingly fast while keeping enough articulation to clearly hear every note. Thankfully, this technique is pretty easy to get [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":1755,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[389,394,393,391,392,252,390,287],"_links":{"self":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/1752"}],"collection":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/comments?post=1752"}],"version-history":[{"count":2,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/1752\/revisions"}],"predecessor-version":[{"id":1758,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/posts\/1752\/revisions\/1758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/media\/1755"}],"wp:attachment":[{"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/media?parent=1752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/categories?post=1752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.guitareo.com\/riff\/wp-json\/wp\/v2\/tags?post=1752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}